Lynne Watched Britneys Hospitalisation Drama Unfold On Tv

LYNNE SPEARS' heart "bust into a million pieces" as she watched her daughter BRITNEY's breakdown on live TV.

Britney Spears suffered a public meltdown in January (08) when she was involved in a three-hour stand-off with police afterwards refusing to hand back her word Jayden James to ex Kevin Federline following a scheduled impose.

The Toxic hitmaker's mum - who at the time was estranged from Britney - proverb the drama unfold on TV, and admits the events left wing her emotionally pained.

Describing the incident in her coming book Through The Storm - A Real Story of Fame and Family in a Tabloid World, Lynne writes, "It was so shocking, so worrisome to see that

'Eden' to open Irish Film Festival

Tom Collins' "Kings" likewise set to screen at fest






Declan Recks' "Eden" has been selected to screen as the opening nighttime film of the first Irish Film Festival of Los Angeles, which kicks off at the Clarity Theater in Beverly Hills on Oct. 2.

"Eden," starring Eileen Walsh and Aidan Kelly, is the portrait of a matrimonial couple that Eugene O'Brien adapted from his toy of the same name.

The end night special event on Oct. 5 will include two rare Irish dumb films accompanied by a live orchestra with an original contemporaneous score composed by Eimear Noone, Irish film composer and director of the Los Angeles Ballet.

The festival will also screen Tom Collins' "Kings," the first-class honours degree Irish-language film ever submitted in the best foreign-language category for an Academy Award.

Other titles in the lineup include "Grandpa...Speak to Me in Russian," directed by Louis Lentin; "Shalom Ireland," directed by Valerie Lapin; "Learning Gravity" (aka "The Undertaking"), directed by Cathal Black; Barry O'Neill's "Dick Dickman P.I."; and Irvin Kershner's 1964 film "The Luck of Ginger Coffey."

The fest will also host a gore discussion entitled "Shooting the Green: Funding and shooting in the Republic of Ireland." The panel, which will focus on how to tap into Ireland's tax incentives for co-production, will include Jonathan Loughran, vp Irish Film Commission U.S.; film and video financing lawyer Bill Grantham of Greenberg Traurig; and educator and producer Gabrielle Kelly.


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Mp3 music: Cursed

Artist: Cursed: mp3 download    Genre(s):  Other Rock     Cursed's discography:      Two    Year: 2005    Tracks: 11      One    Year: 2003    Tracks: 11 Not to be confused with a melodic, Doors-influenced New York City goth-rock outfit called Curse, Cursed is a Canadian hardcore band that is fronted by singer/lyricist Chris Colohan (wHO is well known on Canada's hardcore sentiment and is a former member of three different bands: Left For Dead, the Swarm and Ruination). Cursed isn't rather metalcore--not in the way that Hatebreed, Throwdown, NDE, Himsa, Brick Bath and Every Time I Die ar metalcore bands--but their tatty, raucous, vulgar, generally fast material does pack a very metallic punch. Hardcore (in a pre-metalcore sense) is their orientation, just Cursed take their portion of dying metallic component, alternative alloy and thrash inspirations (the Canadians' headbanger influences kitchen range from Entombed to Neurosis to the ill-famed Slayer). And piece Cursed is non a radical going from Colohan's premature bands, they aren't a carbon copy of whatever of them either. Doomed was formed in late 2001, when Colohan united forces with guitar player Christian McMaster (wHO has as well been with the band Haymaker), bassist Radwan Moumneh (an ex-member of The Black Hand and Ire) and drummer Mike Maxymuik (whose restart of Canadian affiliations has included Sinclaire and the Meligrove Band as well as Left For Dead). At the time, Cursed was paste crosswise different parts of Canada--some members were living in Montreal, Quebec, patch others were based in Toronto and Hamilton, Ontario. But despite the geographic challenges they faced, the members of Cursed were able-bodied to catch together for gigs in different cities and create a buzz on the Canadian hardcore scene in 2002--they received their portion of attending in both Toronto and largely French-speaking Montreal, and Colohan's presence as lead vocalizer sure as shooting didn't hurt. When Moumneh temporarily left Cursed, he was replaced by Tom Piraino (once of Grayline) on bass--and when Moumneh returned in 2003, he came back as a second guitarist instead of as a bassist. (In other hard-core bands, Moumneh has worked as a principal Cursed, he leaves the principal telling to Colohan). By having two guitar players rather of one, Cursed hoped to increase the thickness factor--and, to be certain, the two-guitar fire only adds to the band's metallic appeal. The first Cursed album, titled One, was released by Deathwish Records in 2003; the following year, they recorded their soph record album, Two. By the time Goodfellow Records (a modest indie label based in Hamilton, Ontario) released Two in early 2005, Piraino was no thirster a member of Cursed--and Dan Dunham (of Shallow North Dakota fame) had taken all over as the hardcore agitators' new bassist.

Image releases 'Experience Hendrix'

Partho Sarothy

   
Artist: Partho Sarothy

   Genre(s): 
Reggae
   

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Discography:


   
 Tribute To Australia

   Year: 2003   
Tracks: 3

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Kraftwerk

   
Artist: Kraftwerk

   Genre(s): 
Electronic
   Dance
   Industrial
   Rock
   

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Discography:


   
 Minimum-Maximum (CD2)

   Year: 2005   
Tracks: 12


   
 Minimum-Maximum (CD1)

   Year: 2005   
Tracks: 10


   
 Minimum Maximum

   Year: 2005   
Tracks: 9


   
 Minimum

   Year: 2005   
Tracks: 22


   
 At the Cirkus

   Year: 2004   
Tracks: 18


   
 Aerodynamik

   Year: 2004   
Tracks: 4


   
 1974-2004

   Year: 2004   
Tracks: 20


   
 Tour De France Soundtracks

   Year: 2003   
Tracks: 13


   
 Tour De France

   Year: 2003   
Tracks: 12


   
 Expo Remix

   Year: 2001   
Tracks: 6


   
 Expo Remixes

   Year: 2000   
Tracks: 6


   
 Expo 2000 (Remix)

   Year: 2000   
Tracks: 4


   
 Expo 2000

   Year: 2000   
Tracks: 4


   
 Remix Bootleg Limited Edition

   Year: 1999   
Tracks: 7


   
 Re-Werked Remix

   Year: 1999   
Tracks: 25


   
 Expo2000

   Year: 1999   
Tracks: 4


   
 boing boom tschak ... A tribute to Kraftwerk

   Year: 1998   
Tracks: 14


   
 The Model

   Year: 1994   
Tracks: 8


   
 The Robots

   Year: 1991   
Tracks: 3


   
 The Mix

   Year: 1991   
Tracks: 11


   
 Radioactivity

   Year: 1991   
Tracks: 3


   
 The Telephone Call

   Year: 1986   
Tracks: 3


   
 Electric Cafe

   Year: 1986   
Tracks: 6


   
 The Model (English)

   Year: 1981   
Tracks: 8


   
 Mini Calculateur

   Year: 1981   
Tracks: 2


   
 Computerwelt

   Year: 1981   
Tracks: 7


   
 Computer World

   Year: 1981   
Tracks: 7


   
 The Man Machine

   Year: 1978   
Tracks: 6


   
 Die Mensch-Maschine

   Year: 1978   
Tracks: 6


   
 Trans-Europe Express (Single)

   Year: 1977   
Tracks: 4


   
 Trans-Europe Express (2)

   Year: 1977   
Tracks: 7


   
 Trans Europa Express

   Year: 1977   
Tracks: 8


   
 Showroom Dummies

   Year: 1977   
Tracks: 5


   
 Radio Activity

   Year: 1975   
Tracks: 12


   
 Autobahn

   Year: 1974   
Tracks: 5


   
 Ralf and Florian

   Year: 1973   
Tracks: 6


   
 Kohoutek Melodie 1

   Year: 1973   
Tracks: 2


   
 Kraftwerk 2

   Year: 1972   
Tracks: 6


   
 Tone Float (As Organisation)

   Year: 1970   
Tracks: 6


   
 Kraftwerk I

   Year: 1970   
Tracks: 4


   
 Kraftwerk

   Year: 1970   
Tracks: 4


   
 Virtual Technopop Cdep

   Year:    
Tracks: 4


   
 Radio-Aktivitat

   Year:    
Tracks: 7


   
 Collection

   Year:    
Tracks: 12

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During the mid-'70s, Germany's Kraftwerk established the transonic design followed by an extraordinary phone number of artists in the decades to come. From the British new romanticistic movement to rap to techno, the group's self-described "automaton pop" -- hypnotically minimal, sideways rhythmic medicine performed solely via electronic means -- resonates in virtually every new ontogenesis to wallop the present-day crop up setting of the belated twentieth 100, and as pioneers of the electronic music form, their enduring influence cannot be overdone. Kraftwerk emerged from the same German observational euphony community of the belated '60s which too spawned Can and Tangerine Dream; basal members Florian Schneider and Ralf Hütter first met as definitive music students at the Dusseldorf Conservatory, in the beginning teaming in the grouping Organisation and issuance a 1970 record album, Tone Float. Schneider and Hütter presently disbanded Organisation, re-christening themselves Kraftwerk (German for "powerfulness station"), beginning work on their own studio apartment (after dubbed Kling Klang), and immersing their music in the entrant public of minimalist electronics; their 1971 debut, titled simply Kraftwerk 1, offered a steer of their singular esthetic in its earliest mannikin, already implementing innovations including Schneider's attempts at designing homemade rhythm machines.


A series of lineup shifts followed, and at unrivalled point Hütter even left the mathematical group; however, by the release of 1972's Kraftwerk 2, he and Schneider were once again running in tandem. Recorded without a bouncy drummer, the album's rhythms relied solely on a drum automobile, creating a distinctly robotic feel without precedent -- the concept of purely technological music was, at the time, absolutely outlander to about musicians, as well as listeners. A series of well-received live performances followed before Kraftwerk began function on their breakthrough third LP, 1973's Ralf and Florian; honing their many ambitions down to a few unsubdivided nevertheless extraordinarily innovative concepts, their music began growing more and more significative -- regular their trim, scientific mental image was in take aim opposition to the dominant pop fashions of the metre. Kraftwerk's number one album to be issued in the U.S., 1974's Autobahn was an international smash; an edited individual version of the epic statute title racetrack was a major make at home and abroad, and in America the antecedently unsung mathematical group reached the upper rungs of the pop albums chart. Performed in big division on a Moog synthesist, Autobahn crystallised the distinctive Kraftwerk sound while making the group's first clear overtures towards conventional bolt down construction and melody, establishing a permanent foothold for electronic music within the mainstream.


Kraftwerk resurfaced in 1975 with Radioactivity, a conception record album exploring the motif of tuner communication; significative of the group's new planetary popularity, it was released in both German and English-language editions, the latter appearance early the following year. Train travel emerged as the bailiwick of 1977's Trans-Europe Express, which marked an increased drive towards ostensible musical mechanization; the melodic phrase became regular farther hazy with the reexamination, 1978's capably highborn The Man Machine, a work well-nigh entirely mourning of human touches. By this time, the members of Kraftwerk even publicly depicted themselves as automatons, an trope coagulated by tracks like "We Are the Robots." Having reached the tip of their influence, even so, the radical disappeared from view, the showtime of many extended absences to follow; they did not return to action prior to 1981's Calculator World, a meditation on the new world-wide dominance of technology -- a fellowship their music recollective agone predicted and pre-dated. After topping the British charts with the individual "Data processor Love," Kraftwerk once more vanished, enjoying a five-year layoff culminating in the release of 1986's Electric Cafe. By directly, however, pop music was dominated by synthesizers and barrel machines, and the group's stature flagged; but for a 1991 best-of appeal highborn The Mix, they remained mum during to the highest degree of the decade. They at long last released a new single, "Exposition 2000," in late 1999, and surprised fans by announcing go dates. On the recording nominal head, Kraftwerk historied the centenary day of remembrance of the Tour de France with a new version of their 1983 single "Go de France," and followed with a full record album (Circuit de France Soundtracks) in August 2003. The live record Minimum-Maximum followed in 2005.